![]() Qing: Enabled by a mix of skill, hard work, and a good training system, idol groups that can execute technically challenging choreographies are a dime a dozen. They went from great dancers to great performers. Like their music has progressed from their youthful debut, their dances have progressed from standard idol-fare of their earlier years to the complexity of their most recent releases. One can see the progression of Seventeen as artists through their choreography. There is a quirkiness in their imagery and transitions, and even movements that connect throughout multiple tracks (the final move of “Pretty U” is the first move of “Very Nice”, for example). This is due to Hoshi being one of their choreographers (the other being Choi Young-joon of Produce 101 fame) and making Seventeen’s choreography consistent with the Seventeen brand. This is not true with Seventeen as each dance is so uniquely their own. ![]() Pat: When a group changes choreographers, there’s always a risk of the choreography not seeming their own, of there being a disconnect. To begin, what makes Seventeen’s choreography unique? This is the latest for the group, who have gone through various dance styles since their 2015 debut.Īs we approach the release of their third full-length album, Pat, Qing, and Vivien focus on Seventeen’s dynamic and varied choreography. ![]() The 13-member group from Pledis Entertainment recently came back with a digital single, “ Hit,” which featured an intense choreography. Another hallmark of Seventeen is their energetic, detailed, and synchronized choreography. There has been plenty said about Seventeen in terms of music. ![]()
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